- 我用夏天比拟你HD加载中
- 主演:Ahmed Awadalla Nadim Bahsoun Hassan Dib Ahmed El Gendy Richard Gabriel Gersch Donia Massoud Selim Mourad Salim Mrad
- 类型:剧情片
- 导演:穆罕默德·肖基·哈桑
- 地区:其它
- 年份:2022
- 语言:其它
介绍:欢迎在线观看由
Ahmed Awadalla Nadim Bahsoun Hassan Dib Ahmed El Gendy Richard Gabriel Gersch Donia Massoud Selim Mourad Salim Mrad 等主演的剧情片《我用夏天比拟你》,电影秘籍第一时间为你提供《我用夏天比拟你》,如果你喜欢《我用夏天比拟你》请把它分享给的朋友,有您们的支持我们会做的更好。祝你观片愉快!剧情简介: A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”
A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”
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